Anthony Gray: Antique Dutch Delft

Rare Dutch Delft ribbed polychrome teapot and cover, early 18th century, two sides decorated with flat shaped panels with sprays of flowers, with metal attachment to the lid and metal spout protector, the base with an underglaze blue mark for the de Paeuw during its 1705 to 1725 period.; height: 4 3/8in. 11.1cm. Click to see other items from this period. Dutch Delft blue and white double gourd vase, circa 1700, decorated in the Wanli style with shaped figure panels, height: 27cm. 10 5/8in. Click to see other items from this period. Dutch delft  oval polychrome plaque, circa 1730-40, decorated in the centre with a large basket of flowers inbetween two baskets of flowers, resting on an elaborate stand with a floral border with two cartouches containing birds, the outer edge in blue, height: 15in. 38.1cm., for a similar plaque see H.P. Fourest, La Faience de Delft, 1980 p.173. Click to see other items from this period. Dutch delft blue and white charger of William and Mary, diameter: 13 3/4in., 35cm. Click to see other items from this period. Dutch Delft blue and white plaque, 18th century, with two oriental figures against a floral fence with pagodas in the background, width: 9 7/8in. 25cm. Click to see other items from this period.

Antique Dutch Delft Marks

Antique Dutch Delft Catalogue

Antique Dutch delft pottery has a fascination all of its own. The first antique dutch delft pottery in the Netherlands was started by Guido da Savino, in 1512 in Antwerp. The early Dutch delft is sometimes referred to as maiolica as it was heavily influenced by Italian maiolica and in the case of bowls and dishes the outside was covered in a lead glaze. Most of the very early Dutch delft was decorated with geometric patterns or stylised Faenza flowers or leaves, with strong outlines often filled with a dark blue, from impure cobalt. Heraldic motives were also used quite early on. From about 1610 delft wares started to be totally covered by a tin glaze and also at this time kwaart began to be used i.e. the process of applying a thin second glaze after a piece of delft had been painted. By the second half of the century the character of the decoration often became more distinctly Dutch.

Although, as in the case of most European ceramics of the 17th and 18th centuries there was still a strong Chinese influence in the majority of pieces. It interesting to note that the early English delft pieces often made use of the economic lead glaze but were not referred to as English maiolica. In the case of both the early Dutch and English delft dishes the firing took place with the dishes resting up side down on stilts, these marks can be quite easily detected. The distinction of between delft and maiolica is not very helpful. The high point for finely decorated antique Dutch delft pottery belongs to a period from roughly 1680 to 1720. During this time, the Dutch Delft enthusiasts William and Mary who became king and queen of Great Britain in 1689, were instrumental in making Dutch delft extremely popular. The painting on the best of the delft during this period was spontaneous and rhythmic. After about 1730, delft began to lose some of its personality. The later pieces still have an appeal due to their spontaneity but the painting is often rather haphazard. Some very charming figurines were produced in the last half of the 18th century. Towards the end of the 18th century there was a revival of some of the early 18th century designs and these can be confused with their proto types. Kilns of a new design were introduced into the Netherlands in the middle of the 18th century. These kilns did away with a lot of the kiln faults and also enabled coal to be used instead of wood. Nearly all the delft from about 1750 onwards has a fairly even glaze.

Some of the famous makers of antique Dutch Delft pottery were:

  • Gerrit Pietersz Kam, c. 1680-1705
  • Adriaen Kocks, late 17th century and early 18th century
  • Pieter Adriaensz Kocks, mark continued after his death, first quarter of 18th century.

Some interesting examples of antique Dutch delft pottery can be seen at:

  • Hampton Court Palace
  • Victoria and Albert Museum
  • The pavement of the Vyne chapel, near Basingstoke, which is composed of tiles from the house.

These all date from about 1520 and depict birds, portraits and flowers.

A book with very good illustrations of Dutch delft is: H.P. Fourest Delftware Published by Thames and Hudson