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Antique Chinese & Japanese Porcelain
European Ceramics & Works of Art

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  1. Catalogue
  2. Japanese, Islamic and Indian
  3. Antique Japanese Porcelain

Rare Large Japanese Ovoid Vase 17th Century,

BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
BL Large Japanese ovoid vase the slightly flared neck
Ref: BL

Rare large Japanese ovoid vase 17th century, the slightly flared neck decorated with a band of lappets above two bands of scrolling plants the body decorated alternatively with deer in a mountainous landscape, bamboo and tiger and peonies springing from rockwork separated by trailing plants

This vase was possible produced in Arita or the historical Hizen Province, located on the northwestern corner of Kyushu Island. The variable quality of the painting was due to the use of Gosu an impure cobalt which when used for painting in underglaze blue proved extremely volatile. Both the gosu (asbolite) imported from China and found locally contained impurities including high concentrations of manganese and iron which when fired made the blue appear muddy greyish colour and where the temperature was not properly controlled and the Gosu applied thickly the blue could appear burnt and in places blurred. This accounts for the variable quality of painting on this vase; two of the panels are extremely well painted in particular the panel containing the peonies issuing from rockwork showed the artist to be highly skilled. The decoration owes a great deal to Chinese porcelain. It was only later that Japanese potters developed their own designs. The rarity of this vase would make it a useful addtion to any museum

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